Navigation

Return to the front page.

Return to the overview for this issue of CCC.

Access a full text PDF of this article. (Note: PDFs are available through NCTE, or JSTOR for issues prior to Volume 48. Site subscription may be required.)

Delicious Bookmark this entry on Delicious

CiteULike Bookmark this entry on CiteULike.

Print this entry.

[need to do a plaintext style sheet for entries]

Then below here, we'll add the lower navbar stuff from the original version, inc. site search, tag search, categories, issue bar, etc.)

Jeff Rice. The 1963 Hip-Hop Machine: Hip-Hop Pedagogy As Composition.

Rice, Jeff. "The 1963 Hip-Hop Machine: Hip-Hop Pedagogy As Composition." CCC. 54.3 (2003): 453-471.

Abstract:

This essay proposes an alternative invention strategy for research-based argumentative writing. By investigating the coincidental usage of the term "whatever" in hip-hop, theory, and composition studies, the essay proposes a whatever-pedagogy identified as "hip-hop pedagogy," a writing practice that models itself after digital sampling's rhetorical strategy of juxtaposition.

Categories:

Works Cited
Baker, Houston. "Hybridity, the Rap Race, and Pedagogy for the 1990s." Black Music Research Journal 11 (2) Fall 1991.
Baldwin, James. The Fire Next Time. New York: The Modern Library, 1963.
Baraka, Amiri. Black Music. New York: W. Morrow, 1967.
---. Blues People: Negro Music in White America. New York: William Morrow and Co., 1963.
Barthes, Roland. Camera Lucida. New York: Hill and Wang, 1981.
Beastie Boys. Paul's Boutique. Capitol Records, 1989.
Bennett, Leronne, Jr. The Black Mood and Other Essays. New York: Barnes & Noble, 1964 (1963).
Booker, Simeon. Black Man's America. Englewood Cliffs, NJ: Prentice-Hall, 1964.
Brooks, Gwendolyn. "Negro Hero." Selected Poems. New York: Harper and Row, 1963.
Burroughs, William S. The Nova Express. New York: Grove, 1992 (1964).
Conwill, Kinshasha Holman. "Introduction." Memory and Metaphor: The Art of Romare Bearden 1940-1987. New York: Oxford UP, 1981.
Digable Planets. "Agent 7 Creamy Spy Theme: Dial 7 (Axioms of Creamy Spies)" EMD/Pendulum, 1994.
---. "Cool Like Dat." Reachin' (A New Refutation of Time and Space). EMD/ Pendulum, 1993.
Eshun, Kodowo. More Brilliant Than the Sun: Adventures in Sonic Fiction. London: Quartet, 1999.
Harkin, Patricia. "Rhetorics, Poetics, and Cultures As an Articulation Project." JAC: A Journal of Composition Theory 17.3 (1997): 494-97.
Hendricks, Jon. Fluxus Codex. New York: Harry N. Abrams, Inc., 1998.
Grandmaster Flash. "The Adventures of Grandmaster Flash on Wheels of Steel." Grandmaster Flash Greatest Mixes. Bangon, 1998.
King, Martin Luther, Jr. "Letter from Birmingham Jail." The Little, Brown Reader. Ed. Marcia Stubbs and Sylvan Barnet. New York: Harper Collins, 1996. 763-78.
McElfresh, Suzanne. "DJs Vs. Samplers." The Vibe History of Hip-Hop. Ed. Alan Light. New York: Three Rivers P, 1999.
Marsh, Graham, Felix Cromey, and Glyn Callingham. Blue Note: The Album Cover Art. San Francisco, CA: Chronicle Books, 1991.
Mingus, Charles. "Freedom." Mingus, Mingus, Mingus. Impulse! 1963. Neal, Mark Anthony. What the Music Said: Black Popular Music and Black Public Culture. New York: Routledge, 1999.
Public Enemy. "Can I Get a Witness!" It Takes a Nation of Millions to Hold Us Back. UNI/DEFJAM, 1988.
---. "Party for Your Right to Fight." It Takes a Nation of Millions to Hold Us Back. UNI/DEFJAM, 1988.
Redman. "Whateva Man." Muddy Waters. UNI/Def Jam, 1996.
Rose, Tricia. Black Noise: Black Music and Black Culture in Contemporary America. Hanover: Wesleyan UP, 1994.
Sirc, Geoffrey. "Never Mind the Tagmemics, Where's the Sex Pistols?" CCC 48.1 (Feb.) 1997.
---. "Virtual Urbanism." Computers and Composition 18(1) 2001: 11-19.
Toulmin, Stephen. Uses of Argument. Cambridge: Cambridge UP, 1958.
Ulmer, Gregory. "The Object of Post- Criticism." The Anti-Aesthetic: Essays on Postmodern Culture. Ed. Hal Foster. Seattle, WA: Bay Press, 1983.
Vitanza, Victor J. "From Heuristic to Aleatory Procedures; Or, Toward 'Writing the Accident.'" Inventing a Discipline: Rhetoric Scholarship in Honor of Richard E. Young. Ed. Maureen Daly Goggin. Urbana, IL: NCTE, 2000.
---. "Seeing in Third Sophistic Ways." Rhetoric and Composition As Intellectual Work. Ed. Gary Olson. Carbondale: Southern Illinois UP, 2002.
---. "'The Wasteland Grows': Or, What is 'Cultural Studies for Composition' and Why Must We Always Speak Good of It? ParaResponse to Julie Drew." JAC: A Journal of Composition Theory 19 (1999): 699-703.
Williams, Cecil B., and Allan Stevenson. A Research Manual. New York: Harper and Row, 1963.
Williams, Raymond. Communications. London: Chatto and Windus, 1966 (1962).
____________
Tags (?)

Works Citing